Let’s read Keller (6): Digging deeper into Tolkien’s ‘Leaf by Niggle’

Let's read Keller

In Every Good Endeavor Tim Keller draws on the wonderful Tolkien short story ‘Leaf by Niggle’ to make the point that our work, to be worthwhile, does not have to accomplish all we might hope for it in this life.

There is a tree

Niggle is an artist who works meticulously on a grand painting of a tree, only one leaf of which he completes in his lifetime. Towards the end of the story, Niggle is taken on a train to a heavenly unnamed place where, to his surprise, the tree he never had time to finish during his lifetime stands complete:

Before him stood the Tree, his Tree, finished. If you could say that of a Tree that was alive, its leaves opening, its branches growing and bending in the wind that Niggle had so often felt or guessed, and had so often failed to catch. He gazed at the Tree, and slowly he lifted his arms and opened them wide. “It’s a gift!” he said. He was referring to his art, and also to the result; but he was using the word quite literally. He went on looking at the Tree. All the leaves he had ever laboured at were there, as he had imagined them rather than as he had made them; and there were others that had only budded in his mind, and many that might have budded, if only he had had time.

The painting Niggle began on earth was not only unfinished but also imperfect, and yet here he sees the complete vision that he had only dimly apprehended before. Keller titles this section of his introduction ‘There really is a tree’, and glosses the Niggle story thus:

Once or twice in your life you may feel like you have finally “gotten a leaf out.” Whatever your work, you need to know this: There really is a tree. Whatever you are seeking in your work—the city of justice and peace, the world of brilliance and beauty, the story, the order, the healing—it is there. There is a God, there is a future healed world that he will bring about, and your work is showing it (in part) to others. Your work will be only partially successful, on your best days, in bringing that world about. But inevitably the whole tree that you seek—the beauty, harmony, justice, comfort, joy, and community—will come to fruition. If you know all this, you won’t be despondent because you can get only a leaf or two out in this life. You will work with satisfaction and joy. You will not be puffed up by success or devastated by setbacks.

The Parish principle: “distracting” acts of service are part of your masterpiece, not its enemy

What Keller doesn’t dwell on is that the story continues after Niggle’s encounter with his completed tree. Approaching a forest, the artist reflects that some of his most beautiful leaves “were seen to have been produced in collaboration with Mr. Parish: there was no other way of putting it.” I find this sentence almost more beautiful and inspiring than the encounter with the finished tree. Mr Parish is a neighbour of Niggle’s who seems to have been distracting and thwarting attempts to work on the painting through the good deeds that Niggle perpetually seems to be performing for him. Indeed, it is through Parish that Niggle catches a cold and dies leaving his painting barely begun. And yet here the finished tree bears the collaborative marks of Parish in “the most perfect examples of the Niggle style”.

The lesson of the Parish-Niggle collaboration for Christian academics is a powerful one. Our work requires long hours of (usually) solitary or socially restricted effort to produce its miserable little “leaf”. We might see family and church commitments, helping friends and loving enemies, as so many inconveniences thwarting our real mission: to bring forth the leaf. And, indeed, in this life it might seem at times very much as if these things are inconveniences and hindrances, thwarting our “true potential” and causing us to lose our productivity, our health or even our life. But as Tolkien brilliantly grasps, that is not the full picture. The fully realised vision of our dimly imagined work bears will have borne the marks of these relationships, these acts of kindness to others, right at the heart of our signature style. So who, or what, is your Parish? Thank God for them. It is a myopic perspective on work that sees them as a hindrance to the realisation of your leaf.

Tolkien has Parish join Niggle in the unnamed heavenly place. During their neighbourly life on earth Parish had dismissed the value of Niggle’s painting, but now in a beautiful reversal of roles it is Parish, not Niggle, who cannot tear his eyes away from the Tree:

As they worked together, it became plain that Niggle was now the better of the two at ordering his time and getting things done. Oddly enough, it was Niggle who became most absorbed in building and gardening, while Parish often wandered about looking at trees, and especially at the Tree.

Helping people to see your tree when all you have to show is virgin canvas and pots of paint

A little later on, Parish is confronted by one who “looked like a shepherd” and who explains that the land they are enjoying so much is Niggle’s Country. Niggle’s companion is dumbfounded:

“Niggle’s Picture!” said Parish in astonishment. “Did you think of all this, Niggle? I never knew you were so clever. Why didn’t you tell me?”

“He tried to tell you long ago,” said the man; “but you would not look. He had only got canvas and paint in those days, and you wanted to mend your roof with them. This is what you and your wife used to call Niggle’s Nonsense, or That Daubing.”

It would be easy (all too easy) to paint Parish as the Philistine who meets his comeuppance as Niggle is straightforwardly vindicated by the Shepherd’s intervention. But Tolkien is cannier than that, and Niggle acknowledges his part in Parish’s ignorance: ‘“I did not give you much chance,” said Niggle. “I never tried to explain. I used to call you Old Earth-grubber. But what does it matter?”‘. It matters a great deal. Niggle’s dismissive attitude toward Parish seems partly to blame for Parish’s philistinism.

So the question is posed to us: what are we doing, as Christian academics, to help the Parishes around us to glimpse our tree when all we have is the beginnings of a leaf, presuming, of course, that we ourselves have at least glimpsed the big picture of which our work is part? Tolkien writes ‘Leaf by Niggle’, I think, not only to inspire Niggles, but to help Parishes glimpse the wonder of what they may hitherto only have scorned. What stories are we telling about our work to show its place in a big picture as yet unpainted? What is your elevator pitch when someone outside academia asks you what you are working on? That thorniest of questions can be answered at any number of levels; why not choose the level that Tolkien privileges in ‘Leaf by Niggle’, the big picture level of the Tree, not the detailed intricacy of the single leaf? With all due humility and without lapsing into self-promotional claptrap, we academics have a role in helping those around us to see the big picture of what we are doing, so that they might not think our canvas and paint would be put to better use mending a leaking roof.

Councillor Tomkins

There is a little epilogue to ‘Leaf by Niggle’. The scene cuts to a conversation between Councillor Tomkins and Atkins. The Councillor, somewhat in the mould of the earthly Parish but with a larger dose of supercilious arrogance, is a sceptic about Niggle’s art and about the man himself:

“No practical or economic use,” said Tompkins. “I dare say he could have been made into a serviceable cog of some sort, if you schoolmasters knew your business. But you don’t, and so we get useless people of his sort. If I ran this country I should put him and his like to some job that they’re fit for, washing dishes in the communal kitchen or something, and I should see that they did it properly…”

A couple of paragraphs later on we learn that Atkins the schoolmaster takes Niggle’s one completed leaf and has it hung in the Town Museum, which burns down expunging all trace of Niggle’s work from this earth. Meanwhile, Parish and Niggle laugh until the mountains ring at the news that a corner of their new land is to be called “Niggle’s Parish”.

We cannot help contrasting the incinerated earthly leaf with the heavenly vision in which “the blossom on the Great Tree was shining like a flame”. Councillor Tomkins only has eyes for one flame: the fire that destroys, that brings to nothing Niggle’s painting. However, if he could bear to look into it intently enough he would see that it also burns away his own cherished notion of “practical or economic use”. The destroying flame brings all to naught, not just paintings. What Tomkins cannot see is the heavenly fire, the flame that shines, that dazzles and adorns. Tolkien shows us both, and as creatures of eternity in a fallen and largely unjust world we would do well to take account of both flames as we labour on yet another almost invisible detail of our laboriously constructed leaf.

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.